{"id":5196,"date":"2014-09-26T16:33:39","date_gmt":"2014-09-26T14:33:39","guid":{"rendered":"http:\/\/www.spazioafirenze.it\/?p=5196"},"modified":"2015-05-25T09:35:43","modified_gmt":"2015-05-25T07:35:43","slug":"costruire-larchitettura-sergio-risaliti-appunti-michelangioleschi","status":"publish","type":"post","link":"https:\/\/www.spazioafirenze.it\/?p=5196","title":{"rendered":"Costruire l’architettura – Sergio Risaliti \u201cAppunti michelangioleschi\u201d"},"content":{"rendered":"

\"risaliti_invito\"<\/h3>\n

Venerd\u00ec – 26\u00a0settembre 2014 – ore 18.00<\/span><\/span><\/h3>\n

Costruire l’architettura – Sergio Risaliti \u201cAppunti michelangioleschi\u201d<\/h1>\n

Sergio Risaliti\u00a0<\/strong><\/p>\n

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Quanta fatica costa l\u2019arte? Quale acuto sguardo mnemonico \u00e8 richiesto all\u2019artista per cogliere e rielaborare i suggerimenti che i maestri d\u2019ogni tempo lasciano impressi nelle loro opere?<\/p>\n

Sergio Risaliti ci ha condotti in un affascinante viaggio, ricco di suspence, in alcuni capolavori di Michelangiolo. Noti, celebrati, ripetutamente e a lungo studiati e dibattuti da artisti, storici, critici. Ma \u201cqualcosa sfugge sempre\u201d. Il capolavoro ha questa natura, non lo si pu\u00f2 mai finire di studiare. Si offre di volta in volta alle pi\u00f9 sorprendenti scoperte. \u00c8 lo stesso Michelangiolo a saperlo e a osservare e memorizzare le opere altrui. Cos\u00ec pure si possono scoprire presenze michelangiolesche, esplicite e implicite, nascoste o esibite, nei gradi artisti contemporanei.<\/p>\n

Ma c\u2019\u00e8 di pi\u00f9. Come altri protagonisti del Rinascimento \u2013 lo ha confermato, intervenendo a sua volta, con dovizia di particolari Riccardo Bruscagli \u2013 il grande artista era uomo che coltivava le diverse arti, e non solo le figurative, cos\u00ec come i saperi liberali pi\u00f9 alti quali la matematica, la filosofia. \u201cQualcosa sfugge sempre\u201d ha anche un senso filosofico espresso da Michelangiolo in varie opere. Paradigmatica \u00e8 la Battaglia dei Centauri. Non \u00e8 n\u00e9 giovanile, n\u00e9 della maturit\u00e0 \u00a0\u2013 ci dice Risaliti \u2013 vi ha lavorato tutta la vita, senza mai compierla, testimoniando l\u2019impossibilit\u00e0 di tradurre in una forma finita l\u2019infinito, ossia ci\u00f2 che sempre eccede, che non si fa mai catturare.<\/p>\n

Francesco Ventura<\/strong><\/p>\n

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Friday\u00a0– sep 26th 2014 – 6.00 pm<\/em><\/span><\/h3>\n

Building the architecture – Sergio Risaliti \u201cMichelangio’s notes\u201d<\/h1>\n

Sergio Risaliti\u00a0<\/strong><\/em><\/p>\n

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How much effort does art take? How keen must an artist’s mnemonic eye be to grasp and build on the ideas that the master artists of every era leave behind in their works?<\/span><\/em><\/p>\n

Sergio Risaliti took us on a fascinating, exciting journey through some of Michelangelo’s masterpieces. Though they are well known, celebrated and studied again and again at length, discussed by artists, historians and critics… but “something always escapes.” Such is the nature of a masterpiece. We can never finish studying it. Every time we return it offers unexpected discoveries. Michelangelo himself knew this, observing and memorizing the works of others. Likewise, we can find signs of Michelangelo \u2014 whether explicit or implicit, hidden or on display \u2014 in great contemporary artists.
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And, like other important figures of the Renaissance \u2014 as Riccardo Bruscagli confirmed with his meticulous contribution \u2014 Michelangelo was a man who cultivated many different arts, not only figurative art, studying advanced areas of knowledge like mathematics and philosophy. \u00a0“Something always escapes” also has a philosophical sense that Michelangelo expressed in many works. The Battle of the Centaurs is an excellent example of this. Neither a work from his early or late years, as Risaliti told us, he worked on it his whole life without ever finishing it, demonstrating that it is impossible to translate into a finite form an infinite form \u2014 that which is always excessive, which never lets itself be captured.
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Francesco Ventura<\/strong><\/em><\/p>\n

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